Published Mar 17, 2026, 11:01 AM EDT
Covering the video games industry since 2017, with experience in news, articles, lists, and reviews (and I blame The Legend of Zelda: Majora's Mask for that).
If you are a fan of RPGs and want a third-person version: Tayná Garcia is a Brazilian journalist (but you can call her Tay) who ended up working with video games after finishing Zelda: Majora's Mask when she was a kid. With more than eight years of experience in the segment, she has been an assistant editor at Jovem Nerd in the past and is currently a contributor at DualShockers and a writer for gaming magazines for Editora Europa. Oh, and she may like Hideo Kojima a bit too much.
After 15 years, the K-pop horror is finally back in Dead by Daylight with the launch of All-Kill: Comeback! This new chapter, which had been under public testing on Steam until now, has officially arrived this Tuesday, March 17, bringing some major updates that improve the overall game experience along with fresh content that fans have been asking for a long time.
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Just as it did back in March 2011 with the original All-Kill chapter, it is a release packed with surprises for K-pop stans and horror enthusiasts alike – and, in case you are wondering, yes, they truly can combine in the DbD universe!
A Musical Nightmare with Kevin Woo
All-Kill: Comeback takes Behaviour Interactive’s acclaimed horror multiplayer back to the neon-soaked, spotlight-filled streets of South Korea, featuring a brand-new map, the long-awaited debut of MiNA, and even a special appearance by a K-pop icon. But let's break it down so you don't miss a thing.
We will start with the latter, as it is the update’s biggest surprise: Kevin Woo. The star, who recently provided the singing voice for Mystery Saja in the global phenomenon K-Pop Demon Hunters, has dived headfirst into this collaboration. In addition to consulting on the project and voicing the new Survivor, Kwon Tae-young, Woo also composed and recorded an original track titled "No Escape" for the launch.
“All-Kill has always lived at the intersection of K-pop and horror, and writing a song for it let me explore that contrast in a really fun way that fit well with the game’s themes,” shared Woo in a press release.
This collab gets even fancier as the track features a lyric video that takes players inside the new map, and you can check it right below!
That leads us to one of the other highlights of All-Kill: Comeback: the long-requested Trickster’s Delusion Map. As a reflection of The Trickster’s twisted mind, it brings the shadowy, neon-lit streets of South Korea to life as an urban setting for Dead by Daylight, featuring locations like small marketplaces and nightclubs.
Just as it did back in March 2011 with the original All-Kill chapter, it is a release packed with surprises for K-pop stans and horror enthusiasts alike
For Killer mains, the updates go far beyond visuals! All-Kill: Comeback also delivers significant mechanical improvements for The Trickster, the game's K-pop Killer, intensifying his role as a fast-paced, high-pressure threat.
The standout addition is the new Style Rank system, a mechanic that encourages creativity and precision, escalating the action toward the Main Event ability. With this, the goal is to reward those who can master the character’s unique rhythm, making the gameplay far more dynamic – so it might be time to put together a K-pop playlist to get inspired while you play!
Speaking of The Trickster, the major update also marks the arrival of the long-awaited MiNA, a new Legendary Outfit for the killer. Essentially a female virtual idol created in the Killer’s own image, she personifies his themes of fame, violence, and showmanship with a unique K-pop twist. It is described as “more than just a simple skin,” since MiNA brings entirely new voice lines and her own personality, injecting a fresh dose of style and unease into The Fog.
As you can see, All-Kill: Comeback brings a wealth of new features to Dead by Daylight, and the best part is that it is already available on all supported platforms. So, it is time to hit play on “Golden” and dive headfirst into that K-pop horror madness.
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